To get the most accurate white balance, and to set it manually, I suggest using the degrees Kelvin (K) setting on your camera. All camera settings need to be in manual mode when shooting 360s so that everything stays consistent from shot to shot as you rotate the camera. Regardless of what the light sources are, determining the white balance is the same process. White balance & lighting: Whether or not you choose to use the available interior light or only the window light will be a matter of preference and will depend on the room. The exposures will be blended together to create a perfectly balanced, natural-looking image that is comparable to what your eyes see in person. These will be turned into an HDR (High Dynamic Range) image. The ideal way to produce a perfectly balanced interior 360 is to shoot multiple exposures in each position as you rotate the VR head. Introducing incandescent or fluorescent interior lights will also cause a clash of colors, since the white balance needs of the window light are different than the interior lights. So, what do you do? Using the available lights in the interior can certainly help balance out the exposure a bit, but it likely won’t get you all the way to where you need to be. Having a 360 that is overexposed on one side and then plunges into darkness on the other is not ideal. What are important factors to keep in mind when shooting?Įxposure: If you are shooting in an interior space that has a window on only one side, the exposure is going to vary a lot (potentially as much as 2-3 stops) when the camera is facing towards the window as opposed to away from it. In this article, you’ll learn how to deal with these variables to create a balanced, natural-looking image. The exposure can vary greatly if you are facing towards a window compared to away from a window, or you may have multiple light sources (e.g., window light mixed with incandescent interior lighting). However, when shooting an interior, there are many more variables to deal with. When you are outside, the entire scene is generally lit by the sun, so it has a consistent exposure and white balance throughout. The key difference between shooting an interior 360 versus an exterior 360 is exposure variation. What is different about shooting a 360 for interiors? How to edit a 360 photo and balance exposure.Important factors to keep in mind when shooting interior 360s.The key difference between interior and exterior 360 photos.Now, in part two of the series, we will discuss 360 photography for interiors. I also tried uploading the monoscopic export to youtube, to see if it was a platform/player issue, but after processing the video was still monoscopic, with no 3D option.In the first installment of this 3-part 360 photography tutorial series, you learned all the essential tips, tricks, and information you need to begin shooting and creating 360 virtual tours. I have tried all the scaling options and frame layouts, but never manage to get a side-by-side export. The export, however always comes out as monoscopic or distorted no matter what settings I tweak in the export window. VR Captured View: 180° Horizontal by 180° Verticalįurthermore, all the monitors (source monitor, program monitor, export monitor) shows the video as stereoscopic. When imported all the proper metadata is there: In 180 mode, the Insta360 eveo shoots side-by-side footage. I have had zero issues working with and exporting 360 videos.ġ80 videos are a different matter unfortunately. I have been shooting some test footage on an Insta360 Evo 180/360 combi cam.Īfter installing all the Insta360 plugins, as well as some from GoPro, the workflow seems to work rather well in PP.
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